• _____
  • FEED
  • EXHIBITIONS
    • 2023 / / Shadows of a Wanderer
    • 2020 / / Covid-eo Of A Thought
    • 2019 / / Leave at Dawn - Return by Dusk
    • 2018 / / Being Us - Collaboration
    • 2018 / / Dislocated Geographies
    • 2015 / / Wood Love Some Space
  • MEDIA / / PUBLICATIONS
  • BIOGRAPHY
  • CONTACT
  • Instagram
  • Facebook
  • Menu

MARIO ABELA

  • _____
  • FEED
  • EXHIBITIONS
    • 2023 / / Shadows of a Wanderer
    • 2020 / / Covid-eo Of A Thought
    • 2019 / / Leave at Dawn - Return by Dusk
    • 2018 / / Being Us - Collaboration
    • 2018 / / Dislocated Geographies
    • 2015 / / Wood Love Some Space
  • MEDIA / / PUBLICATIONS
  • BIOGRAPHY
  • CONTACT
  • Instagram
  • Facebook

Be the First to Know

Leave your email address to receive updates about new works.

Your privacy will be respected.

Thank you!
FOLLOW ME ON INSTAGRAM
[ ] [ ] [ ] . . . . [ ]
.
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
[ ] [ ] [ ] . . . . [ ] . . n o t e s f r o m t h e a n t h r o p o c e n e
T h e  A n n u n c i a t i o n  o f  C o l l a p s e

(after #FraAngelico ‘The Annunciation’, c. 1425–1426, @museoprado )

The Annunciation no longer delivers clarity — it signals collapse.

The angel speaks, but the message c
T h e A n n u n c i a t i o n o f C o l l a p s e (after #FraAngelico ‘The Annunciation’, c. 1425–1426, @museoprado )
 The Annunciation no longer delivers clarity — it signals collapse. The angel speaks, but the message cannot be received. No one is left to hear it. The garden, once symmetrical, begins to tear. It is no longer protected — it watches us now. The fruit of knowledge has lost its glow. It was bitten. . . Oil on canvas
120cm x 150cm
2024-25 . . n o t e s f r o m t h e a n t h r o p o c e n e . . #fraangelico #theannunciation #museodelprado #jacquelacan #anthropocene #posthumanism #landscape #contemporarylandscape #painting #pittura #contemporaryartist #contemporaryart #artist
/ / •  i n e f f a b l e
.
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
/ / • i n e f f a b l e . . n o t e s f r o m t h e a n t h r o p o c e n e
o o 0 o o _ e r r e
.
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
o o 0 o o _ e r r e . . n o t e s f r o m t h e a n t h r o p o c e n e
a  c o l o u r  s t u d y / /  f r a  a n g e l i c o 
.
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
a c o l o u r s t u d y / / f r a a n g e l i c o . . n o t e s f r o m t h e a n t h r o p o c e n e
M o U –  M o m e n t s  o f  U n c e r t a i n t y - after Delacroix’s ‘Christ on the Sea of Galilee’ (1853) 

In Delacroix’s painting, a fragile boat is caught in a storm, yet the apostles find calm in the guiding prese
M o U – M o m e n t s o f U n c e r t a i n t y - after Delacroix’s ‘Christ on the Sea of Galilee’ (1853) In Delacroix’s painting, a fragile boat is caught in a storm, yet the apostles find calm in the guiding presence of Christ. Today, similar vessels cross the Mediterranean, carrying those in search of refuge—only now, there is no one to still the waters. The title references the “Memorandum of Understanding” signed to curb illegal border crossings, highlighting a painful contrast: policies shaped on land, while lives are lost at sea. The drawing, partially abstracted, gestures toward the imagined moments of those on board—suspended between hope, fear, and the vast uncertainty ahead. Charcoal on paper 114cm x 77cm 2025 . . n o t e s f r o m t h e a n t h r o p o c e n e
0Ooo
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
0Ooo . n o t e s  f r o m  t h e  a n t h r o p o c e n e
‘Creatures of the day - what is someone?’ - Pindar (c. 518–438 BCE) 
.
#existentialism #philosophy #biology #meaningoflife #faith #body #drawing #museostorianaturale
‘Creatures of the day - what is someone?’ - Pindar (c. 518–438 BCE) . #existentialism #philosophy #biology #meaningoflife #faith #body #drawing #museostorianaturale
g r e y @
.
w o r k  o n  p a p e r
.
g r e y @ . w o r k o n p a p e r .
t h a t  m o m e n t  o f  r e v e l a t i o n 
.
.
n o t e s f r o m t h e a n t h r o p o c e n e
.
.
#existentialism #philosophy #biology #meaningoflife #faith #religion #body #workonpaper
t h a t m o m e n t o f r e v e l a t i o n . . n o t e s f r o m t h e a n t h r o p o c e n e . . #existentialism #philosophy #biology #meaningoflife #faith #religion #body #workonpaper
[=] [=] 
.
.
n o t e s f r o m t h e a n t h r o p o c e n e
.
.
#existentialism #philosophy #biology #meaningoflife #faith #religion #body #painting
[=] [=] . . n o t e s f r o m t h e a n t h r o p o c e n e . . #existentialism #philosophy #biology #meaningoflife #faith #religion #body #painting
a b b i  f e d e 
.
.
n o t e s f r o m t h e a n t h r o p o c e n e
.
.
#existentialism #philosophy #biology #meaningoflife #faith #religion #body #drawing
a b b i f e d e . . n o t e s f r o m t h e a n t h r o p o c e n e . . #existentialism #philosophy #biology #meaningoflife #faith #religion #body #drawing
s o m e t h i n g  a b o u t  t h e  ________  t h i n g
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
s o m e t h i n g a b o u t t h e ________ t h i n g . n o t e s f r o m t h e a n t h r o p o c e n e
a b b i f e d e . . n o t e s f r o m t h e a n t h r o p o c e n e . . #existentialism #philosophy #biology #meaningoflife #faith #personal-religion #painting
o_0
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
o_0 . n o t e s f r o m t h e a n t h r o p o c e n e
a n d  s t i l l  t h e y  m o v e  I I
.
o i l  o n  c a n v a s - 2 0 2 3 
.
p r i v a t e  c o l l e c t i o n 
.
n o t e s  f r o m  t h e  a n t h r o p o c e n e
a n d s t i l l t h e y m o v e I I . o i l o n c a n v a s - 2 0 2 3 . p r i v a t e c o l l e c t i o n . n o t e s  f r o m  t h e  a n t h r o p o c e n e
E t e r n a l  H u n t 
Oil on canvas
133cm x 169cm
2024 (CREA OPEN 2025 Winner) 
. 
Now at ‘2570 Revolutions around the Earth‘ at @creavenice CREA Cantieri del Contemporaneo - Venice - From April 12 to 27, 2025
E t e r n a l H u n t Oil on canvas 133cm x 169cm 2024 (CREA OPEN 2025 Winner) . Now at ‘2570 Revolutions around the Earth‘ at @creavenice CREA Cantieri del Contemporaneo - Venice - From April 12 to 27, 2025
🏆 Mario Abela - WINNER of CREAOPEN 2025

Through the pics by @filippo_vane_ all the energy and the magnificent atmosphere of the opening of 2570 Revolutions around the Earth

🏅@keita.miyazaki.722 won the special award for a solo exhibition in a nat
🏆 Mario Abela - WINNER of CREAOPEN 2025 Through the pics by @filippo_vane_ all the energy and the magnificent atmosphere of the opening of 2570 Revolutions around the Earth 🏅@keita.miyazaki.722 won the special award for a solo exhibition in a national museum in Rome 🏅@saaxhaa won the residency award organized by @cragallery 🏅While the award for a duo exhibition at Crea went to @mohammed.el.hajoui and @albertwrotnowski CREA OPEN is an idea from @pierpaolo.scelsi and @iaiaomeravigliao following a suggestion from Neri Raunich The Exhibition was also curated by @sarabizai @gaiadesantii @filippo_vane_ @aman_novara @_gaiacrotti_ @no.taykastory @alyssaconlay @giorgiaarizzo @lyolyalovesyou Special thanks to Cristoforo Lippi, @daniele_fiori_photographer @elicovre and Daniele Raunich #crea #creavenice #cantieridelcontemporaneo #creaopen #creaopen2025 #artcontest #artprize #artcall #callforartists #callforart #callforsubmissions #emergentartist #emergentart #exhibition #exposition #premiodarte #artinvenice #contemporaryart #artecontemporanea #contemporarypainting #artexhibition #painting #photography #videoart #performanceart #digitalart #landart #sculpture #pittura #scultura
WON the CREA OPEN 2025! Absolutely blown away (photo as proof)🤯 Huge congratulations to all the other talented participants. This feels like a wonderful step in my journey, and I’m excited for what’s next. Thank you to the CREA Open team
WON the CREA OPEN 2025! Absolutely blown away (photo as proof)🤯 Huge congratulations to all the other talented participants. This feels like a wonderful step in my journey, and I’m excited for what’s next. Thank you to the CREA Open team and jury! @creavenice
The Eternal Hunt - after Antoine Watteau’s Rendez-vous de Chasse (around 1717-1718)

Watteau’s “Rendez-vous de Chasse” presents a fête galante scene of a hunting party, a moment of leisure and friendship.
However, my pai
The Eternal Hunt - after Antoine Watteau’s Rendez-vous de Chasse (around 1717-1718) Watteau’s “Rendez-vous de Chasse” presents a fête galante scene of a hunting party, a moment of leisure and friendship. However, my painting aims to delve deeper beneath this idyllic surface, exploring the underlying complexities and contradictions inherent in human existence. Derrida’s deconstructionist philosophy offers a valuable lens through which to examine this exploration. Deconstruction challenges the notion of fixed meanings and reveals the underlying binary oppositions that structure our understanding of the world. In Watteau’s painting, the dichotomy between pleasure and pain is invisible; often obscured by the superficial beauty of the scene. My painting seeks to disrupt this binary opposition by highlighting the darker realities that often coexist with moments of joy and celebration. Thoughts, sufferings, and health issues are universal experiences, yet they are often hidden behind carefully curated facades. Hence the eternal hunt for meaning carries on... Oil on canvas 133cm x 169cm 2024 “2570 Revolutions Around the Earth.” This exhibition showcases the 39 finalists of CREA OPEN 2025. From April 12 to 27, 2025, at the Legno & Legno space of CREA. . @creavenice